CHAPTER ONE
"LAVENTIYA BAY (PT. 1 & 5)" by Ellen Band and David Lee Myers
SCENE: Michael rushes inside the ER with Amy in his arms. Michael and Andrew roll the gurney to and care for Amy in the trauma room. Amy tries to leave.
"THE PIANO ECHOES" by UNKLE
SCENE: Playing in the background as Michael operates on Amy.
CHAPTER TWO
"CATHART" by Isan
SCENE: Michael checks Amy's vitals and watches her sleep in the recovery room.
"IF I'M NOT IN LOVE" by Faith Hill
SCENE: Amy lies alone in her hospital bed in the dark, trying to fall asleep and thinking about Michael.
"NEVER BLOOM AGAIN" by The Perishers
SCENE: Amy still thinking about Michael as she starts to fall asleep.
CHAPTER THREE
"SHUT UP AND LET ME GO" by The Tings Tings
SCENE: Playing on the radio when Amy starts her car while on the phone with Courtney. Andrew rushes around and asks her what she's doing.
"HOME" by Michael Buble
SCENE: Playing on the car radio when Amy leans her head back and closes her eyes. Andrew gets worried, rushes back to the car and checks to see if she's still conscious.
"THAT'S HOW LOVE MOVES" by Faith Hill
SCENE: Amy and Michael share a romantic kiss in the hospital's employee lounge. They start to make out on the couch. Amy says goodbye to Michael.
CHAPTER FIVE
"POISON ARROW" by ABC
SCENE: Playing on the radio as Amy drives to the CVS Pharmacy and gets a call from Zack.
"EVERYBODY" by Keith Urban
SCENE: Zack's ringtone on Amy's cell phone.
"ONLY LOVE CAN CONQUER HATE" by Ryuichi Sakamoto
SCENE: Amy driving to CVS Pharmacy and having trouble breathing. Amy talks to Zack on the phone.
"TROUBLE IN PARADISE" - UNKLE
SCENE: (Montage) Michael and Andrew worrying about Amy's condition back at the ER while helping patients. Amy dropping her prescription off at CVS. Amy getting home and taking her meds.
"UNDER PRESSURE" by David Bowie & Queen
SCENE: The song playing on Amy's iPod as she gets into the shower and starts having trouble breathing.
"LOOK AFTER YOU" by The Fray
SCENE: Michael's ringtone on Amy's cell phone / Amy & Michael's theme.
"SMOOTH OPERATOR" by Sade
SCENE: Another song playing on Amy's iPod as she continues her shower.
"BUSY CHILD" by The Crystal Method
SCENE: Another song playing on Amy's iPod as she gets out of the shower, struggling to breathe, feeling dizzy, and suddenly hearing the knock at her apartment door.
"PROMISES, PROMISES" by Naked Eyes
SCENE: Another song playing on Amy's iPod as she goes back into the bathroom to change and gets exhausted from towel drying her hair. Andrew threatens to kidnap her cat if she doesn't come out and let him take her back to the ER.
CHAPTER EIGHT
"CALIFORNICATION" by Red Hot Chili Peppers
SCENE: Playing in Andrew's car as he drives Amy to the pharmacy to pick up her meds.
"WHO ARE YOU?" by The Who
SCENE: Amy's default ringtone.
"COSMIC LOVE" by Florence + The Machine
SCENE: Amy & Andrew say goodbye at her apartment door. He kisses her passionately, picks her up, pins her against the door and makes out with her.
"SPITFIRE" by The Prodigy
SCENE: Playing in The ROXY when Emma asks Andrew what's going on with him and they discuss Amy.
"READY STEADY GO" by Paul Oakenford
SCENE: Playing in The ROXY when Andrew's very drunk bandmate, Jason, comes over to sit down, hits on Emma, and claims Andrew's lost his charm. Jason's brother comes over and pulls him away.
"FALLIN DOWN" by Goo Goo Dolls
SCENE: Playing in The ROXY when Emma tells Andrew he should confront Jason about his drinking problem. Andrew continues to look for Amy, but Emma tells him she's not coming.
CHAPTER NINE
"ALL FALLS DOWN" by Kanye West
SCENE: Playing in William Rast as Amy arrives for work. Tina greets her in the break room and asks her where she's been. They return to the sales floor.
"LIKE A BOY" by Ciara
SCENE: Amy watches Tina and Andrew as she folds jeans on a display table. She sneezes and Tina asks if she's getting a cold. Andrew suggests he give her a quick "head-to-toe," and she clumsily drops a sale sign on the floor. Amy watches Tina and Andrew from across the store as her friend shows him some blazers.
"LIKE I LOVE YOU" by Justin Timberlake
SCENE: Andrew comes up behind her and scares Amy as she is folding the mens jeans. He flirts with her, until Tina interrupts them and asks him if he wants to try his clothes on. Andrew goes to fitting rooms to change. Tina tells Amy she can have Andrew.
"BOYS" by Britney Spears featuring Pharrell Williams
SCENE: Andrew comes out of the dressing room shirtless and Amy faints. Andrew rushes over and checks her over. Tina brings Amy some water.
"LOVE SEX MAGIC" by Ciara featuring Justin Timberlake
SCENE: Amy takes another pair of jeans to Andrew in the fitting room. He pulls her inside and starts to kiss her. Amy starts feeling dizzy and Andrew forces her to sit down and take it easy. Tina comes to check on Andrew & Amy in the fitting room. Andrew implies he's examining Amy. Amy shoves him. He tells her to kiss his bicep better and she does it.
"HEY LOVER" by LL Cool J
SCENE: Andrew tells Amy he's not going to apologize for caring about her. Amy pushes him inside the dressing room and they make-out. Andrew asks Amy if he can call her his girlfriend now. She tells him she just wants to keep it between the two of them. Tina comes back to the dressing room and tells Amy that their manager, Armando, is back from lunch and he's not happy.
"MOVE SHAKE DROP (REMIX)" by DJ Laz
SCENE: Andrew thinks Amy is really getting a cold when she sneezes again and feels her forehead. Amy leaves the dressing room and gets in trouble with Armando. Armando compliments Andrew as he comes out of the dressing room.
"SAY IT RIGHT" by Nelly Furtado
SCENE: Tina realizes Amy & Andrew really are boyfriend and girlfriend when she hears him call her "baby." Amy asks why he had to blow their cover.
"I NEED A GIRL PART II" by P Diddy
SCENE: Andrew comes out of the dressing room in a new outfit. Tina asks Andrew if he's got any brothers. Tina asks Amy if she would mind her going out with Michael. Amy goes back to work and notices Andrew and Armando are talking about her from across the store.
"LOVE IN THIS CLUB" by Usher
SCENE: Amy realizes Armando and Andrew have disappeared. Tina tells her that Andrew defended her against her boss regarding her recent behavior. Amy thanks Andrew for what he did and kisses him.
CHAPTER TEN
"NA DE SEX" by Kreng
SCENE: Victor ambushes Amy in the parking lot after she gets out of her Criminal Investigation class and tries to kill her. Steve Jennings comes to Amy's rescue.
"IN A BROKEN DREAM" by UNKLE
SCENE: Steve's theme / Steve comforts Amy after her attack / Amy hugs Steve outside her apartment. Steve tries to talk Amy out of giving up on her education / Steve drives Amy home from Andrew's place.
CHAPTER ELEVEN
"TROUBLE SLEEPING" by Corrine Bailey Rae
SCENE: Playing on Amy's alarm clock as she wakes up the next day.
"FOR EVERYTHING A REASON" by Carina Round
SCENE: Playing on Amy's iPod when she gets into the shower.
"I WANNA BE MOVED" by Ginny Owens
SCENE: Playing as Amy dries her hair and gets ready to leave.
CHAPTER TWELVE
"HOLIDAY" by Green Day
SCENE: The song that Matt is listening loudly to on his headphones when Steve interrupts him in the lab.
CHAPTER THIRTEEN
"STRIPPER" by Sohodolls
SCENE: Playing in the background as Amy gets ready to go out with Andrew.
"BANG BANG BANG BANG" by Sohodolls
SCENE: Playing in the background as Courtney comes into Amy's room and asks where she's going. Andrew arrives to pick Amy up.
"SEXY SILK" by Jessica Cornish
SCENE: (slow motion) Amy comes out of her room "dressed to kill" and Andrew is blown away by how hot she looks / Amy and Andrew leave for their date / Amy starts making out with Andrew in his car.
"TIME PALACE" by Yello
SCENE: Playing in Outback Steakhouse as Amy & Andrew arrive and sit down to order and get to know each other a little better.
"ON A NIGHT LIKE THIS" by Dave Barnes
SCENE: Playing in Outback Steakhouse as Amy & Andrew are having dinner. He confesses that he's falling in love with her.
CHAPTER FOURTEEN
"BETWEEN TWO LUNGS" by Florence & The Machine
SCENE: Amy & Andrew start making out and taking each other's clothes off, all the way to his bedroom. Andrew gets suspicious and confronts Amy about why she wants to keep the lights off.
"9 CRIMES" by Damien Rice
SCENE: Amy leaves Andrew's apartment without an explaination and calls Steve to pick her up. Andrew comes out of his apartment as she waits for her ride and demands to know what's going on and how she got hurt. Amy leaves with Steve. Amy stares out the window of Steve's car and starts to sob softly to herself.
CHAPTER FIFTEEN
"I'M SCARED" by Duffy
SCENE: Amy takes a bath and mopes in her room about her recent confrontation with Victor, and what happened with Andrew.
"JEALOUSY" by Cary Brothers
SCENE: Andrew tries to see Amy at her apartment, but Courtney tells him she doesn't want to see him right now. He leaves and drives back to his apartment, worrying about Amy.
CHAPTER SIXTEEN
"PICTURES OF YOU" by The Last Goodnight
SCENE: Amy is driving to Andrew's apartment when she sees Michael sitting outside of Mel's Diner having dinner with Tina and looking happy.
"DREAM ON" by Aerosmith
SCENE: Playing faintly in the background of his apartment as Andrew is playing his guitar. He gets a knock on his door and its Amy. She grabs him and they start making out.
"RIDE" by Cary Brothers
SCENE: Playing in th background as Amy tells Andrew about Victor. Amy tries to talk Andrew out of going after Victor then starts crying.
"SIX SEVEN TIMES" by Flunk
SCENE: Andrew & Amy stripping off each other's clothes and having sex for the first time.
CHAPTER SEVENTEEN
"IN MY HEAD" by Jason Derulo
SCENE: Playing in William Rast as Amy arrives / Amy briefly talks to Tina / Andrew calls Amy while she's shopping.
"GOLD DIGGER" by Kanye West
SCENE: Playing in William Rast as Amy confronts Tina about her dating Michael.
"WHAT'S MY AGE AGAIN?" by Blink 182
SCENE: Andrew starts singing this song to Amy during her MRI to help her relax and ends up making her laugh, so she quickly has him sing a different one.
"THE MIDDLE" by Jimmy Eat World
SCENE: The second song Andrew sings to Amy during her MRI.
CHAPTER NINETEEN
"BRAINSTEW" by Green Day
SCENE: Playing in the background as Andrew is sitting at his computer looking for anything he can find about Victor Bane. Emma asks him why he bothered inviting her over to begin with if he was going to be stuck on his computer.
"SHOULD I STAY OR SHOULD I GO?" by The Clash
SCENE: Andrew and Emma discover Victor is a porn director and has his own company in downtown Los Angeles. Emma tries to talk Andrew out of hunting down and beating him up. He tells her about Amy's situation.
"PAPARAZZI" by Lady Gaga
SCENE: The song that Amy sings and gives Andrew a lap dance to at The ROXY, surprising him for his birthday.
"THE STEP AND THE WALK" by The Duke Spirits
SCENE: Playing in The ROXY as Amy finishes her performance, kisses Andrew and his bandmates come over to annoy them.
"THE WAY I ARE" by Timbaland featuring Keri Hilson & D.O.E.
SCENE: Playing in The ROXY as Amy & Andrew start dancing.
"HARDER. BETTER. FASTER. STRONGER" by Daft Punk
SCENE: Playing in The ROXY as Amy goes to change clothes in the bathroom.
"POPSTARS" by Rooney
SCENE: Playing in The ROXY as Amy brings out Andrew's birthday cake and they sing "Happy Birthday" to him and give him his gifts.
CHAPTER TWENTY
"DO YOU WANT TO" by Franz Ferdinand
SCENE: Playing in The ROXY as Amy asks Andrew what happened with Jason then asks him to dance, but he refuses. Amy gets a mysterious phone call then another call from Tina.
"MOSH" by Fluke
SCENE: Playing in The ROXY as Jason offers to buy Amy another drink or two. She takes the drink and Jason starts annoying her. Emma comes over to shoo him away and starts to talk to Amy. Amy goes back to the booth to sit down next to Andrew when Emma says she's going to leave then bids everyone a good-bye.
"HELL ABOVE WATER" by Curve
SCENE: Playing in The ROXY as Amy and Andrew start kissing. Max asks her to dance and she gets up to dance with him. Amy starts feeling sick and goes to the bathroom to throw up. Andrew goes to check on Amy, asking if she's okay when he hears her throwing up.
"AMP" by Fluke
SCENE: Playing in The ROXY as Amy comes out of the bathroom and Andrew decides its time to go / Plays faintly outside the club as Michael sees the two of them and pulls over, questioning Andrew what's going on.
CHAPTER TWENTY-ONE
"RORSCHACH" by Loscil
SCENE: Michael puts Amy in the back seat of his car and examines her. He and Andrew take her back to the ER
"HEAR YOU ME" by Jimmy Eat World
SCENE: Andrew sings this song to Amy in ER to calm her down when she starts getting out of hand.
"YOU KNOW WHERE TO FIND ME" by Matthew West
SCENE: Andrew & Amy's theme / Andrew's ringtone on Amy's phone
CHAPTER TWENTY-FOUR
"MISS YOU" by The Rolling Stones
SCENE: Playing in Melrose as Andrew & Emma walk in and sit down at the bar.
"RUNNING DOWN A DREAM" by Tom Petty
SCENE: Playing in Melrose when Andrew spots Victor and James, silently debating whether or not to pick a fight with or punch him. Andrew gets up and confronts Victor about hurting Amy. Emma tries to break up the fight that breaks out between them.
CHAPTER TWENTY-FIVE
"IN THIS WORLD" by Moby
SCENE: The song that plays on Amy's iPod when she turns on Andrew's stereo at his apartment, waiting for him to get changed and gather his things for the beach.
"HER NAME IS GOLDIE" by Greame Revell
SCENE: The second song that plays on Amy's iPod.
"COLD HEARTS" by Club 8
SCENE: The third song that plays on Amy's iPod, and Andrew comments on it from his bedroom.
"MARVELLOUS" by Dragonette
SCENE: The fourth song that plays on Amy's iPod. She gets up from the couch and starts dancing sexily around Andrew's living room until he walks out and catches her. She gives him a lap dance.
"ALL SHE WROTE" by Ross Copperman
SCENE: Playing on Amy's iPod as she and Andrew are making out on the couch.
"HUNGOVER" by Ke$ha
SCENE: Playing on Amy's iPod as she tells Andrew she can't swim. Andrew tries to get up from the couch.
"JUSTINE" by Brookville
SCENE: Playing on Amy's iPod as she packs up the cooler they'll take to the beach.
"RED BLOODED WOMAN" by Kylie Minogue
SCENE: Playing on Amy's iPod when she turns it on at the beach. She asks Andrew if he surfs as she starts sunbathing. Andrew leaves to go swimming in the ocean.
"WORKING FOR THE WEEKEND" by Loverboy
SCENE: Playing on Amy's iPod as she sunbathes and watches Andrew in the ocean, then gets up to join him.
CHAPTER TWENTY SEVEN
"THROUGH THE RAIN" by Mariah Carey
SCENE: Playing on Amy's iPod as she lies on her bed and cries.
"LETTING THE CABLES SLEEP" by Bush
SCENE: Playing on Amy's iPod when Andrew shows up to comfort her, holding her as she cries.
"SOUR TIMES" by Portishead
SCENE: Playing on Amy's iPod as she explains to Andrew what happened with Victor and he becomes enraged.
"HOW'S IT GONNA BE" by Third Eye Blind
SCENE: Playing on Amy's iPod as Andrew tries to convince her to come out with him.
"UNTIL YOU" by Dave Barnes
SCENE: This is the song that Andrew wrote for and serenades Amy with on the beach / The final song Andrew plays with his band during his set at Adreneline that he serenades Amy with.
CHAPTER TWENTY-NINE
"REEFERENDRUM" by Fluke
SCENE: Playing in "Adreneline" as Amy and Tina are waiting for Andrew and his band to come on stage.
"ON THE INSIDE" by Washington Social Club
SCENE: The song Andrew opens his band's set with.
"PAIN" by Jimmy Eat World
SCENE: The second song Andrew and his band play in their set.
"MY BEST THEORY" by Jimmy Eat World
SCENE: The third song Andrew and his band play in their set / Amy goes to the bar to get some water and sits down.
"FELL INTO" by Jackson United
SCENE: The fourth song Andrew and his band play in their set / Amy takes medicine and watches from the booth.
"SO WHAT DOES IT ALL MEAN?" by Jonny Was
SCENE: The fifth song Andrew and his band play in their set.
"THE BACKGROUND" by Third Eye Blind
SCENE: Playing in "Adreneline" as Andrew comes out with his band and signs some autographs. Amy kisses him and pulls him away to dance.
"MIRROR LOVER" by Jam & Spoon
SCENE: Playing in "Adreneline" as Amy slow dances seductively with Andrew.
"ABSURD" by Fluke
SCENE: Starts playing in "Adreneline" as Tina bids Amy & Andrew goodbye for the night. Andrew helps his bandmates pack up their instruments and he and Amy leave the club. Plays faintly in the background as they walk towards Andrew's car.
CHAPTER THIRTY
"PATHETIC AND DANGEROUS" by Klimek
SCENE: Victor's theme / Victor ambushes Amy & Andrew. Victor knocks Andrew to the ground and starts to badly beat him up, but when Amy jumps on him and tries to stop him, he turns his anger on her and starts to strangle her to death.
"GREED, MUTATION, BETRAYAL" by Klimek
SCENE: Victor sticks Amy with a needle containing an unknown sedative, immediately knocking her unconscious. Andrew's two band mates hear the commotion in the alley and rush over to the scene, instantly beating on Victor for hurting their friend and Amy. Victor punches a couple of them then runs off.
"A LAMENT" by Klimek
SCENE: Andrew crawls over to Amy in the alley, examines her and realizes she's barely breathing so he attempts to revive her. Andrew and his friend put Amy in the backseat of his car and rush Amy to the hospital.
"BELLOWS" by Loscil
SCENE: Andrew bursts through the ER doors with Amy in his arms, calling for a gurney and some help. Michael and Emma rush over and tend to Amy, rolling her quickly towards a trauma room as Andrew explains what happened, not knowing what Victor gave Amy.
"ESTUARINE" by Loscil
SCENE: Andrew tries to help out Amy and wants to stay with her, but Michael and Emma both insist that he sit down and let someone take care of his wounds. Emma tends to Andrew's wounds in the trauma room next door and checks him over, but Andrew keeps trying to get off the gurney to check on and help Amy.
CHAPTER THIRTY-TWO
"YOUR LOVE WILL NEVER CHANGE" by Dave Barnes
SCENE: Andrew sits at Amy's bedside, hoping and praying that she'll soon wake up.
EPILOGUE
"DANCE IN THE DARK" by Lady Gaga
SCENE: The song that Lady Gaga opens her show with at the Nokia Live Theatre. Amy & Andrew make their way back to their seats after meeting Lady Gaga backstage.
"SO HAPPY I COULD DIE" by Lady Gaga
SCENE: Amy singing, dancing and cheering on Lady Gaga from her seat. Amy kisses and grinds against Andrew happily.
